In case you didn’t get it from the title and the picture, there are SO MANY SPOILERS in this post. You have been warned.
Oh good, you’re still here. Let’s do this thing! Just the “Previously On….” was enough to get me cheering and bouncing in my chair. Things are moving so fast now, and as much as I don’t want it to end, I am desperate to know how it ends. I’ve wanted to see the culmination of this story since 1999, and we are so close!
Oldtown has a model in the credits! Library hype! Even after 7 years, this opening sequence still makes my little nerd heart so happy.
Right from the opening moments of the first scene, I had chills. Arya, so cold, so ruthless, so comfortable in Walder Frey’s skin. I’m terrified for her, the path she has chosen is dark and pitiless. As much I cheered to see our lost wolf avenge her mother and brother, I’m worried that she may become lost to the darkness forever. But that speech? That was perfection, and the first hint that Game of Thrones has stepped it up several notches already this season. Full of calm fury and naked contempt, the writing was truly next level. Not to mention the fact that David Bradley just absolutely knocked the delivery out of the park, and onto the street, and maybe right on over into the next town.
Cool kings of the undead don’t look at explosions. Or whatever it is that is behind them. I love how epic their slow march to the Wall feels. There’s no rush, just calm persistence and absolute belief in their inevitable victory. The Night’s King has been alive forever, he’s got all the time in the world to get where he is going.
Lyanna Mormont doesn’t knit. Because knitting is stupid. Knitting doesn’t win wars you idiotic, bleating fools. Any hand that can hold a sword needs to swing one now. I mean, did you see the zombie giants? There are zombie giants coming, your rules about who can and cannot fight are no longer even remotely relevant.
Sansa is not interested in your nonsense [insert name of person speaking at her here]. Also? She looks FABULOUS.
I’m loving this new, mature dynamic between her and Jon. Our little bird is a wolf after all. I think she and Jon are the perfect foils for each other now. Sansa ruthless, driven, focused. Jon forgiving, desperate, still idealistic after all these years. They need each other, and I can only hope they continue to listen to each other. They make one hell of a team, tempering each other’s more destructive tendencies and buffering each other’s formidable strengths.
Cersei looks fabulous. Crazy, but fabulous. I can’t decide if she’s moved beyond her grief into straight up ruthless queen mode, or if she’s just hiding her despair behind that amazing dress and impassive face. Either way, she’s gone round the bend and I don’t think she’s ever coming back. Whatever loose grip she once had on sanity is long gone, and all she has left is her belief that she either wins, or she dies.
Poor Jaime tries logic on his twin. Surprising precisely no one, logic fails. Gods bless him, he tried, but she’s Mad King Aerys come again and I already feel bad for him. One day soon, he’s going to have to do what he has to do and end this before she burns more than the sept to the ground.
I could write a whole thing on Euron Greyjoy, but here’s the tl;dr: Game of Thrones: Now with 1000% more snark, guyliner and smirking. There’s no gift in the world that he could bring her to win her heart, except for maybe Tyrion’s head on a platter, but we all know that’s not happening. So good luck to you Euron.
Sam Goes to Monastery was hands down one of my favorite sequences the show has ever done. It justified the large time skip, it was hilarious and it showed Sam’s growing frustration and impatience with being unable to access the information he knows they need to win this war. Combine that with Professor Slughorn dropping some serious philosophy on him, and the delightful Harry Potter homage was complete. Also, as mentioned on Twitter, I need a video of that sequence cut with Pink Floyd’s Money playing underneath it, so if the internet could get on that for me, that would be great. EDIT: Oh look, someone did! Thanks @mpirnat, you win One Internet.
Petyr: If you’re lucky, Sansa will murder you in your sleep, with great mercy and no pain. You made a fatal mistake choosing her as your piece in the game. Because she learns, she adapts, and she will soon surpass even your skills. If she hasn’t already. Sansa wants to do more than play the game of thrones, she wants to change it. While I don’t think a crown is what she really wants, if Sansa keeps on like this, she could be the last one standing in the end. With the love she learned from her family, the skills Petyr gave her and just enough of Cersei’s laser focus, Sansa would be an excellent Queen. Assuming, of course, that the zombie giants don’t eat her.
I haven’t done an exhaustive study, but I feel like Daenerys gets to button the episodes a lot. It doesn’t always work for me, but this time it really did. I loved seeing her so small, and so alone against the massive fortress of Dragonstone, putting her feet on the sand of her homeland for the very first time in her living memory. It was a powerfully understated scene, especially in comparison to some her other more overwrought moments.
And I didn’t even get into The Hound and how much I love his new arc, and, well, just everything about him. That’ll be a post for another day I suppose. But I’m looking forward to more of him in Season 7, and I especially hope he meets up with Arya again someday. Imagine what words they would have for each other. Over chicken.
And so it begins, the final chapters of this epic tale. If the tone, the text and the delivery shown in this episode continues, we are in for an amazing treat. Welcome to the new Game of Thrones, now with more nuance, depth and zombie giants.
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