Do Gargoyles Eat Eclairs? An Interview With Amalie Howard

Amalie Howard HeaderAnother Denver Comic Con is in the books, and once again we had the pleasure of sitting down with one of our favorite Colorado authors, the award-winning Amalie Howard. We chatted about all sorts of things, including her new romance series, diversity in YA literature and, well, pastry. Trust me, it all makes sense if you just stay with me! The following interview has been edited lightly for clarity, grammar and continuity. As always, we are grateful to Amalie for taking the time on such a busy convention weekend. We spoke between signings at her booth.

Carolyn: So, how is the new romance series coming along? When does the third book come out?

Amalie: It’s going great! The third book is out on July 25th, in a few weeks. It’s been really fun to write, and of course getting to write steamy sex scenes is great. The third one is called My Hellion, My Heart, which is just great.

My Hellion, My Heart Cover

I’ll be in my bunk.

Carolyn: OMG, it really is! I drool over the new cover art. I don’t read a lot of traditional romance, but when I do, I like to read it in the bathtub with bubbles and a nice glass of wine.

Amalie: Obviously. That’s the best place to read romance.

We go on a full on tangent about custom bathtub caddies that sadly my recorder did not capture. But rest assured, it was epic. The point is, we like to drink fancy wine. While reading. If you don’t do this, you should.

bathtub caddy with wine

Amalie and Carolyn approve this bath setup.

Carolyn: Besides making for great bathtub reading, what’s different about writing romance versus YA, which is your usual wheelhouse?

Amalie: Well, there’s a lot more…freedom in the romance market. YA has a very specific set of expectations, of what they are looking for. Romance is more varied. And of course, again, writing steamy sex scenes is really fun. But YA will always be my home. I love writing for that audience.

At this point, a young woman and her mom stop at Amalie’s booth. Watching Amalie talk with her is just lovely. She’s engaged and funny, talks directly to the girl, asking questions, and giving honest answers. She doesn’t talk down to her, or over her head and encourages this fan to expand her reading horizons without pressuring her. It’s great to see. She signs a copy of The Almost Girl for her and poses for a picture. I am suffering from full on Con Exhaustion at this point and try very hard not to get all weepy about seeing young girls who love reading. Fortunately for me, Amalie makes a hilarious comment about the potentially awkward photo angle and my emotional moment passes.

Carolyn: So, your process for writing the Lords of Essex series is a bit different because you’re working with a writing partner. How does that work, and what were the challenges?

Amalie: When you are collaborating with someone the key is planning and communication. We had a very thorough outlining process. I’m talking long, dense outlines. 15-20 pages single spaced. You have to map out all the story beats because if one of you changes something on your own, everything can break down. It actually changed my process for writing my own stuff, I didn’t use to outline at all, and now I do. Much less complicated, just a couple of pages of bullet points, but yeah, writing with a partner has helped me evolve my own process too.

Carolyn: Your writing partner, Angie, also writes historical work, right? I don’t know anything about her.

Amalie: Oh she’s awesome. She writes about Paris and gargoyles. In the Gothic style. It’s awesome, and also YA. You should check it out.

Carolyn: I wonder if gargoyles eat eclairs.

Amalie: What?

Carolyn: Gargoyles. Do you think they eat eclairs? I mean, Paris has the best eclairs. If I was in Paris, I’d be eating eclairs.

I wonder if there are any eclairs down there?

I wonder if there are any eclairs down there?

Amalie: You ask the best questions.

Carolyn: Important questions. Deep, philosophical questions. Not but seriously, those sound really fun and I’ll definitely have to check them out.

I think about eclairs and the gargoyles who love them for several minutes while Amalie engages with fans and talks to some other Con guests who stop by her table. While not pondering Parisian pastries, I think again about how much I adore this event. I love the accessibility both every day fans and small media outlets like Sisters in Geek have here. the camaraderie of the guests, how they help each other and support each other. I try to remember the name of the author who helped me find Amalie’s table when I was hopelessly turned around and running late. I fail because I’m thinking about eclairs.


These eclairs have fruit on them. They are totally health food!

Carolyn: What’s it like writing both YA and this new historical fiction series at the same time? How do you switch between the two styles? It sounds like such a different mindset.

Amalie: My secret weapon is playlists.

Carolyn: Really? Tell me more! I am obsessed with playlists.

Amalie: Yeah, so I have different playlists for each thing that I might be working on. For the Lords of Essex books it’s all classical, it just gets me in the right head space for the time period and the vibe. When I’m working on the Alpha Goddess series, it’s a lot of trance and then Nine Inch Nails. And then for Almost Girl it’s dubstep.

Carolyn: Wait, Nine Inch Nails? That’s unexpected. I wouldn’t immediately associate NIN with Alpha Goddess.

Amalie: Really? It’s so perfect for me. The energy of it, and of course…

Carolyn: Identity, NIN is all about identity and the discovery of the self, yeah. Absolutely, can’t believe I didn’t think of that! I would love to listen to those playlists, I love playlists. I use them all the time in my D&D campaigns for my characters.

To her everlasting credit, Amalie does not give me a hard time for making this conversation about me and lets me ramble about D&D, the panel we presented this weekend and other nonsense for at least 3 minutes. She also keeps feeding me chocolate.

Carolyn: I’m going to have to message you for those playlists, I’d really like to listen to them.

Amalie: Oh! They’re on my site, you can listen to them anytime you want.

Carolyn: Excellent! That’s awesome. Well, I think I’ve taken up enough of your time. Any last thoughts, upcoming releases or ideas you’d like to end on?

Amalie: Well, My Hellion My Heart is out on July 25th, the next sequel in Alpha Goddess is out next year. Read more books, and remember that healthy sex is important and women need to be able to ask for it! That’s what I learned from writing Regency Romance.

I collapse into helpless giggling.

Carolyn: Well, that’s the perfect way to button up this interview. Thank you as always Amalie!

Carolyn and Amalie

No, but seriously, what do gargoyles eat?

AMALIE HOWARD is the award-winning author of several young adult novels critically acclaimed by Kirkus, Publishers Weekly, VOYA, School Library Journal, and Booklist, including Waterfell, The Almost Girl, and Alpha Goddess, a Spring 2014 Kid’s INDIE NEXT title. Her debut novel, Bloodspell, was a #1 Amazon bestseller, and the sequel, Bloodcraft, was a national IPPY silver medalist and Children’s Moonbeam Award winner. She is also the co-author of My Rogue, My Ruin in the historical romance series, the Lords of Essex. She currently resides in Colorado with her husband and three children. She is very active on social media and we highly recommend following her for shenanigans and adventure.

Denver Comic Con is an education program of Pop Culture Classroom with more than 600 hours of educational programming and 9,000 sq. ft. of convention floor dedicated to the Pop Culture Laboratory, an area designed to engage kids in S.T.E.A.M. (Science, Technology, Engineering, Arts and Math) educational activities, and spotlight the PCC program and its students and graduates. Further, it provides educational, youth-based programming and fun activities for our younger attendees and their families, and allows young creators to work directly with professionals from the comic book and animation industries as well as other creative professions.

Pop Culture Classroom Logo

PCC Mission: Pop Culture Classroom ignites a love of learning, increases literacy, celebrates diversity and builds community through the tools of popular culture and the power of self-expression.

PCC Vision: Pop Culture Classroom envisions individuals transformed by the educational power of popular culture who create diverse, inclusive and engaged communities.

PCC Values:

  • Quality service to kids and communities
  • Respect, inclusiveness and diversity
  • Equality of opportunity
  • Alternative approaches to education
  • Recognizing each person’s intrinsic dignity and importance
  • Open communication, responsibility and honesty

For more information about Pop Culture Classroom’s role in the community, please visit 

DCC 2017 Preview: Authors!

Comic Cons are always a series of difficult nerd choices. Who do I meet? Which panels do I go to? What do I do when I’m not buying more art than I have wall space for. (I’m considering putting art on my ceiling now.) I’ve been studying the Denver Comic Con guest list and panel schedules. Here are the authors I plan to attend at least one panel for. They’ve written some pretty amazing things, and if we all sit very quietly in a room as they talk, maybe we’ll hear something incredible, funny, true, and/or insightful.

(Updated, sadly, to remove Bonnie Burton. She had a last minute emergency and can’t make Denver Comic Con this year.)

Catherynne M. Valente is a New York Times Best Selling and award winning fantasy and scifi author. She’s written a lot of things,DCC17_CATHERYNNE-M-VALENTE-New but my favorite so far is The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making which starts out wonderfully: “Once upon a time, a girl named September grew very tired indeed of her parents’ house, where she washed the same pink-and-yellow teacups and matching gravy boats every day, slept on the same embroidered pillow, and played with the same small and amiable dog. Because she had been born in May, and because she had a mole on her left cheek, and because her feet were very large and ungainly, the Green Wind took pity on her and flew to her window one evening just after her twelfth birthday.”

Catherynne M. Valente’s DCC Schedule:

Mistakes Were Made (Friday 6/30 2:30PM Room 402),               The Writing Process of Best Sellers (Saturday 7/1 12PM Room 407), Millennials Rising -YA Literature Today (Saturday 7/1 3:30PM Room 402), Start Short, Get Good (Saturday 7/1 5PM Room 407), Is This a Kissing Book? (Sunday 7/2 10:30AM Room  402), The Best Writing Advice I Was Ever Given (Sunday 7/2 3PM Room 407).

She also has signings on Friday 6/30 (11AM-1pm Author Signing Booth 2), Saturday 7/1 (1:30-2:30pm Tattered Cover Signing Booth), Sunday 7/2 (12-2PM Author Signing Booth 1).



Charlie Jane Anders is the author of All the Birds in the Sky, which won a Nebula award. She’s also co-founder of i09, and has published a lot of short stories. All the Birds in the Sky is pretty hilarious, but a heart breaking kind of hilarious that most of us nerds understand. Based on her writing she may also know how to program spells. I’m going to all her panels just in case.

Charlie Jane Anders DCC Schedule:

Steampunk vs. Cyberpunk (Friday 6/30 12PM Room 407), Avadakedavra! Magic in Literature (Friday 6/30 1PM Room 407), Fight the Power! Fiction for Political Change (Friday 6/30 4:30PM Room 402), I Wish Someone Had Told Me (Saturday 7/1 4PM DCCP4 Keystone City Room), Representing Gender Non-Conforming People in Fiction (Sunday 7/2 11:30AM Room 402), Writing Strong Women in Fantasy and Scifi (Sunday 7/2 1PM 8bit Stage @ Kids’ Lab).

She also has signings on Saturday from 11AM-1PM at Author Signing Booth 3 and Sunday from 4PM-6PM at Author Signing Booth 3.



Cory Doctorow is the award winning scifi author of Little Brother and Homeland. Books that delve into protecting our privacy and personal freedoms against a surveillance state. He’s also a co-editor of Boing Boing, a journalist, an activist, and has a mention in Ready Player One by Ernest Cline as a geezer who “had been doing a kick-ass job of protecting user rights for over a decade.”

Cory Doctorow’s DCC Schedule:

The Future is Here (Friday 6/30 1:30PM Room 402), Fight the Power! Fiction for Political Change (Friday 6/30 4:30PM Room 402), The Writing Process of Best Sellers (Saturday 7/1 12PM Room 407), Creating the Anti-Hero (Saturday 7/1 1:30PM  Room 402), Millennials Rising -YA Literature Today (Saturday 7/1 3:30PM Room 402), Economics, Value and Motivating Your Character (Sunday 7/2 11AM Room 407), Urban Science Fiction (Sunday 7/2 3PM DCCP4 Keystone City Room)

He also has signings on Friday 6/30 from 2:30-4:30PM at the Tattered Cover Signing Booth, on Saturday 7/1 from 4:30-6:30PM at the Tattered Cover Signing Booth, and on Sunday 7/2 from 12:30-2:30PM at the Tattered Cover Signing Booth.



Diana Gabaldon is the best selling, award winning author of The Outlander series that is now a TV series on Starz. There time travel. There is action, doctoring of gross wounds caused by the action, and sexy times with kilts. What more do you need?

Diana Gabaldon DCC Schedule:

Young Women – Write Yourself a Novel Career! (Friday 6/30 1pm 8bit Stage @Kids’ Lab), Mistakes Were Made (Friday 6/30 2:30PM Room 402), Outlander – with Diana Gabaldon & Andrew Gower (Saturday 7/1 11:30AM Night Lynx Stage @ Main Events), From Page to Screen (Saturday 7/1 1PM Room 407), The Art of the Complex Villian (Saturday 7/1 4pm Room 407), Is This a Kissing Book? (Sunday 7/2 10:30AM Room 402).

She also has signings on Friday 6/30 from 11AM-12:50PM at Random House / Del Rey Signing Booth, on Saturday 7/1 2pm-3:50PM at The Tattered Cover Signing Booth 2, and on Sunday 7/2 12-2pm at The Tattered Cover Signing Booth 2.


DCC17_FELICIADAYFelicia Day is an actress, creator, and writer of the web series of The Guild, and author of You’re Never Weird on the Internet (almost). She’s also a co-host/creator of the web series Vaginal Fantasy Book Club.

Felicia Day’s DCC Schedule:

Felicia Day (Saturday 7/1 4:30PM Night Lynx Stage @ Main Events)

She also has photo ops on Saturday 7/1 from 12-12:30PM and Sunday 7/2 from 12:30-1PM at the Celebrity Summit that require tickets.



John Scalzi is the author of many fun Scifi books with some serious bits. He likes to pull you in with silliness and sarcasm then break everything and get serious. He’s known for his series Old Man’s War and Hugo award winning Red Shirts. He’s also hilarious on twitter and his blog.

John Scalzi’s DCC Schedule:

Laughter in the Face of Disaster (Friday 6/30 11AM Room 407), Military Scifi an Institution (Friday 6/30 3PM DCCP4 – Keystone City Room), Fight the Power! Fiction for Political Change (Friday 6/30 4:30PM Room 402), The Writing Process of Best Sellers (Saturday 7/1 12PM Room 407), The Hardness Scale – Is Fiction Better Squishy or Solid? (Saturday 7/1 3PM Room 407), Economics, Value and Motivating Your Character (Sunday 7/2 11AM Room 407).

He also has signings on Friday 6/30 from 1PM-2:50PM at Tattered Cover Signing Booth 2, and on Saturday 7/1 from  10:30AM-12:30PM at the Tattered Cover Signing Booth, and on Sunday 7/2 from 2PM-4PM at Tattered Cover Signing Booth 2.



Mary Robinette Kowal is an award winning author of the Glamourist History Series, which is like Jane Austen with cool magic. She’s also an award winning puppeteer, and has cool picks of dragon puppets and weirdo creepy hearts on her webpage.

Mary Robinette Kowal’s DCC Schedule:

Kicking Butts in Corsets (Friday 6/30 2PM Room 407), The Past is Here – Writing Romantic Fiction with an Historical Backdrop (Friday 6/30 5:30PM Room 402), Let the Wookiee Win! It’s Okay to an Uplifting Story (Saturday 7/1 11AM DCCP4 Keystone City Room), I Wish Someone Had Told Me (Saturday 7/1 4PM DCCP4 Keystone City Room), Is This a Kissing Book? (Sunday 7/2 10:30AM Room 402).

She also has signings on Friday 6/30 from 10:30AM-12:30PM at Author Signing Booth 2, and on Sunday 7/2 from 2:30PM-4:30PM at Author Signing Booth 2.



Robin Hobb is an award winning, best selling fantasy author known for her Farseer Trilogy. From her writing, I assume that she possesses all the writing secrets in the world. I’m so glad she’s coming to Denver Comic Con. I can’t wait to hear her talk.

Robin Hobb’s DCC Schedule:

Avadakedavra! Magic in Literature (Friday 6/30 1PM Room 407), Mistakes Were Made (Friday 6/30 2:30PM Room 402), Creating the Anti-Hero (Saturday 7/1 1:30PM  Room 402), The Art of the Complex Villian (Saturday 7/1 4pm Room 407), But is it Epic Enough? (Sunday 7/2 11AM DCCP4 Keystone City Room), The Best Writing Advice I Was Ever Given (Sunday 7/2 3PM Room 407).

She also has signings on Friday 6/30 from 4-5PM at the Random House / Del Rey Signing Booth, on Saturday 7/1 from 11AM-1PM at the Tattered Cover Signing Booth 2 and 2:30-3:30PM at the Random House / Del Rey Signing Booth, and on Sunday 7/2 from 4-6PM at the Tattered Cover Signing Booth 2.

Finally, some of our favorite authors from previous years are returning to Denver Comic Con to impart more of their writing wisdom, including: Amalie Howard, Kristi Helvig, Sherry Ficklin (Booth D12 and D14), Corinne O’Flynn, and Sue Duff. Also, Callie Bates has her debut book The Waking Lands due out tomorrow! Possibly not enough time to read it before DCC, but it has some great early reviews so it might be worth catching some of her panels too!

Download the new 2017 Denver Comic Con app to view the full schedule and add these and other panels to your schedule!

Trina Robbins Interview!


A lot of things come to mind when we think of Trina Robbins: Incomparable. Badass. Wonder Woman. Sassy. Outspoken. Feminist. Legend. Type of woman we want to be when we grow up. (Shhhh…we’re still growing up! There is still time!)

We were first exposed to the power that is Trina Robbins at Denver Comic Con 2015, when we saw her on a panel about the Golden Age of Comics. She was outspoken and inspiring and really the best part of that panel, so naturally we were thrilled when she returned to Denver Comic Con in 2016. As a speaker at a main event panel kicking off the 2016 show, Trina assured us that, having not been invited, she was about to crash a panel later that morning featuring creators of Wonder Woman comics. She made good on that promise, and for many of us, that Wonder Woman panel was one of the highlights of the weekend.

Trina has worked as both an illustrator and writer in comics. She was the first woman to draw Wonder Woman in Wonder Woman’s title comic. She’s also a herstorian, highlighting women contributions to comics, her most recent being Pretty in Ink. Trina’s history book Women at War is available for free at her website.

Many of us have felt slightly queasy at some of what happens in comics, and Trina has been there to make guidelines. Posing and clothing matter in art! Major female characters should have a bible as to how they are drawn. When they don’t that opens the door for artists to exaggerate the character’s appearance to be highly sexual. Trina’s matter-of-fact stance that women should be depicted as humans, in how they are drawn and in how they are written, is inspiring.

Now, we get a chance to help Trina Robbins! Trina has a Kickstarter to collect and print her comic series Dope, that we talk about more below! It goes through 8/19/2016!


Trina Robbins and Mindy Newell at DCC 2016!

SiG: How long have you been going to cons? 

Trina Robbins: Wow.  My first con was Phil Seuling’s second NY Comic Con, in 1969. I was on an underground cartoonist’s panel, and I remember wandering around the floor and over hearing 2 teenage boys talking and one of them said, “I hear Trina’s coming.” And I thought omigod, somebody knows who I am!

SiG: What is your favorite Wonder Woman arc you worked on?

Trina Robbins: I have loved the last 3 that I wrote, but I guess I’d have to say my 30 page Sensation comic. I’ve always liked the Cheetah and thought that she had possibilities going beyond being just another villain, so it was satisfying to write a story in which she and Wonder Woman work together. Not to mention I was happy to be able to squeeze in stuff about vivisection and destroying our rain forests without (I hope) getting too preachy.

SiG: We’ve always been a bit confused about how Wonder Woman grows up in an all female society, but often has been given male love interests, and doesn’t seek out a lot of female friends or companions when she leaves that society. Do you have an opinion on that transition for her away from the amazons?

Trina Robbins: I loved the Holliday girls!  But the guys who in the past wrote Wonder Woman, I think gave her all those male love interests so nobody would think she was a Lesbian. If I could write an extended story arc, I would give her back a version of the Holliday girls.

SiG: Have you seen the new Wonder Woman movie trailer? What did you think? 

Trina Robbins: I love it, but it’s so dark! Isn’t it ever daytime with full sun on Paradise Island?

SiG: For anyone just starting to read/see your work what should they start with?

Trina Robbins: My early stuff makes me cringe, but around the 80s I think I hit my stride. You probably know that there’s a Kickstarter to reprint my adaptation of Sax Rohmer’s novel, Dope, and I think that really holds up as some of my best work. Or maybe they should read my last and final history of women cartoonists, Pretty in Ink, or one of my non-comics books that I really like, such as Tender Murderers, my book about women who kill.

SiG: Yes, the Kickstarter to collect and print your Dope comic into a graphic novel! It looks amazing. (I can’t believe I didn’t ask about it first. We are a little Wonder Woman obsessed lately.) A female becoming ensnared in London’s drug culture seems like a very dark topic for comics in the 80s. What was that like creating it?

Trina Robbins: Haha! I too am obsessed by Wonder Woman! I can’t believe that she’s finally done right: story, art, and all!  We need no further proof that we women are winning the comics world.

About Dope: Ooh, I wouldn’t call it dark so much as pulpy. Sax Rohmer was a master pulp writer, and this story is absolute blood and thunder, opium dens and all. The characters are so colorful, they just asked to be interpreted in comic form, but this is in no way grim’n’gritty, like those awful comics of the 90s. Of course I drew it, so we don’t have “bad girl” characters with brokeback poses, and I carefully researched the clothing, using old magazines from the period, unlike so many male cartoonists of that time, who thought if you just made the dresses long, it looked old. I am a stickler for research, in case you didn’t know. Dope was one story that I thoroughly enjoyed adapting!

SiG: You came into an industry where women characters were lacking, what do you feel like you brought to your women characters?

Trina Robbins: In those early days, when the industry was hyper male-dominated, my characters were fantasy reflections of me. Just like Tarpe Mills’ character looked like her and ever had her cat, enabling Tarpe to have adventures on paper, while the flesh and blood Tarpe sat at her drawing table, I could have adventures and be different kinds of women just by drawing them.

SiG: What was the most fun character to work on?

Trina Robbins: GoGirl!, done by Anne Timmons and me. I loved creating that character, my take on the superhero, and Anne and I made a great team — she is a pleasure to work with, and she’s such a good artist! Too bad the book was before its time, back in the days when the comic shops were all guy stuff so we got lousy distribution.

SiG: In your career, what did you get away with that you were surprised you got away with?

Trina Robbins: When I wrote “Wonder Woman, the now and Future story,” beautifully drawn by Colleen Doran, I was able to list domestic violence hotlines and shelters here and in the UK on the inside back cover. People have told me, “How good it was that DC included that list!” And I respond, “DC didn’t include it, *I* included it!” Still, they let me, and that was good.

SiG: What is your favorite story about your time in the industry to tell (and please tell it!)

Trina Robbins: Well, okay, it should probably be a positive one, huh? Here’s one I tell when people ask me for advice: It was at a San Diego Comic Con, around 1998, and I walk by the Topps table and see that they’re publishing Xena comics, and my heart skips a beat because I am such a Xena fan. So I go over to the guy standing behind the table and I say, “Hi, my name is Trina Robbins and I’ve written Wonder Woman and I would kill to write Xena.” And he’s all snooty and nose in the air and says, “We already have our writers.” So I could have been Hemingway, but he doesn’t care. So I walk a little further down the table and there’s a woman. So I go up to her and repeat my spiel and she says, “Sure, email me,” and hands me her card. It’s Renee Witterstaeter, and we have since become friends and I love her! Long story short, I emailed her when I got home and she wound up accepting my 2 part Gabrielle story. Not as good an ending: Renee left Topps shortly after that, my next editor was a guy, and even though the TV people okayed my next Xena story and I wrote the whole thing, he never used it. But the moral is, if one editor doesn’t like your proposal, try another editor.

SiG: We try our best to promote women doing great work, and support any artists creating fully realized female characters. Is there anything else we can be doing to encourage stories with great female characters?

Trina Robbins: I think you’re doing it — you, and all the groups like you. There has never been a better time for women in comics!


Remember to check out Trina Robbins’ website and her Kickstarter which closes on 8/19/2016!

DCC Spotlight: Our Interview with Amalie Howard

Amalie-HeaderAt this year’s Denver Comic Con we once again had the pleasure of meeting with the awesomely amazing Amalie Howard. She’s award-winning, she’s hysterical and she creates some of the most dynamic and diverse YA protagonists appearing on your reading lists today. During Saturday’s Con session, I got to sit down with her for a little while and ask her all my most burning literary questions. Once I stopped fangirling at her, that is. Below is our interview, edited lightly for clarity, grammar and possibly to make me look less like a squeeeeeing lunatic. It is also from notes, not a recording, so there is some paraphrasing.

Amalie, I’m so excited to be meeting with you again this year and thank you so much for making the time. How are you enjoying DCC 2016?

There is so much energy and enthusiasm this year! And I love seeing all the young people, especially the girls showing their geek colors! It’s great seeing so many families here too!

That makes me wonder: If you ever see someone cosplay as one of your characters at a Con, will that be the moment where you go “Well, I’ve arrived!”? Also, how cool would it be to see someone cosplay from your books?

It would be so awesome, I would love to see that! I mean, come on, that would be amazing. Recognition is great, but validation from fans is the most rewarding.

How awesome would it be to have your books adapted for film or even a series? Is that something you’re hoping for?

Absolutely! There have been discussions about both TV and movie options, but nothing concrete yet. You know, a lot of YA has tanked because the market is getting overwhelmed with repetitive ideas, but I think we can find an audience.

Oh my god, Riven Chronicles would be amazing as a series. I can see it on Netflix or something, it’s got that vibe.

Yeah, that would be really fun. It’s got big fights and sexy romance. And everyone loves to hate the bad guys! You need a good villain.

At this point we went on a rather lengthy tangent about good villains and why we love them, culminating in the conclusion that well written villains are just the best. Sadly, I failed at writing it down because we were talking a million miles an hour. We also pulled a few passersby into our conversation, and at that point, I completely failed at being an interviewer and slid right over the line into just being a fan and a nerd. I apologize to our readers for this failure, next time I will bring a recorder!

So, what’s next for you?

I’m co-writing a historical romance series for adults with Angie Morgan.

[Cue incoherent squealing] Oh my god, seriously?

Yes. It’s set in the Regency period, and the first book comes out on November 21st.

What’s it called?

My Rogue, My Ruin

That is so awesome. I really can’t wait to see what you do with that setting and writing for an adult audience! How did it happen?

Angie and I are in the same YA critique group. It started as just a fun project, to do something a little bit different and it went really well and we sold it! It’s actually a trilogy and the rest of the books will be out in 2017.

Do they have titles yet?

Yes. Book 2 is called My Darling, My Disaster. And Book 3 is My Hellion, My Heart. So they will be out in 2017 and it’s really fun to explore a different setting and writing for an adult audience.

I love the Regency setting. I’m so all about this!

Yes, it’s going to be a fun read for sure! And how awesome is that last title, My Hellion, My Heart? I love it so much.

Me too, so much. Villains and bad guys, yes!


What else new do you have coming up?

Dark Goddess, sequel to Alpha Goddess is out in June 2017.

Oh good! I am really excited for that! Last question: What’s it like to be so awesome?

[Amalie just laughs and refuses to divulge her secrets.]

You can find all of Amalie’s books at her website, and all of her books are available for purchase through Amazon and booksellers everywhere! She’s been an IPPY Silver Medalist, an Amazon #1 bestseller and her work has been recognized for its excellence by Kirkus, Publishers Weekly and VOYA. She lives in Colorado with her family and is a secret ninja Jedi Master. Follow her on Twitter and Facebook where she is pithy and hilarious. I promise you won’t be disappointed! Now, if you’ll excuse me, I need to go devour Alpha Goddess again.

Want to read more about Sisters in Geek’s Comic Con Adventures? Go here! And also here!


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